If you haven’t yet watched Dollhouse Ep 6 or the finale of BSG, stop reading.
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Wow wow wow. “Man On The Street” was freakin’ amazing. The people on the street think the Dollhouse, if it exists, is everything from slavery to a welcome party with rich people to a chance for risk-free fantasy, or even a way to ease the ache of being human, or being alone. Point is that it’s all of these things.
This episode was brilliantly directed–a point & counterpoint of healthy sex and rape, and real feeling and the illusion, and whether or not that makes a difference. What Joel Mynor says to Ballard is true, but in ways much deeper in the psyche than what Ballard or anyone else realizes. And holy crap: a) the fight scene between Echo and Ballard and b) enough Tahmoh nudity to keep this girl happy for a long while.
And then Echo’s speaking in tongues and frames Ballard with shooting an officer, and was that really the imprint or Alpha or what?? Need to know!
While I was watching, the particular juxtaposition of the equal-footed fight between Echo and Ballard and then the attack on Mellie by Hearn really stood out. In the former, there was no holding back on either side, and you could see in their facial expressions that there was no acknowledgment of gender; in the latter, there’s an immediate sense of discomfort in watching it, with so clear a victim and so vile an attacker. Given how much violence and gender has been in the news lately, it gave me pause. And then you throw the Mellie twist on top of that, and that’s just discombobulating in a very good way. A way that should lead to discussion and thought. Which, btw, is exactly where Joss wants us to go.
Then the closing where Mynor finally gets his anniversary undercuts whatever black & white judgement we may have been making about the ethics of the dolls. For the first time, I can’t wait to see what happens next. Oh Joss, what juicy dilemmas you have wrought!
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Now BSG is less unmitigated in the w00t. I will say that I came away from the end feeling like it was time for the end. No anxiety that there will be no more. The characters were played out. Now, I’m not quite at the Jacob end of the scale, but I was not blown away. I was completely annoyed by the Kara Thrace arc. Or, I should say, I was with her when she programmed the jump, got her feeling it was the last of her journey, but then the disappearing act at the end–just stupid. An easy way out – I felt like I stumbled into an episode of Touched by an Angel, and there’s no way that’s a good thing.
On the other hand, the flashback of Kara & Lee was gorgeously frought. We could see the seed and the death of it all at the same time. And also brilliant was that the deck of Galatica was the Opera House and was the dream. That part, I thought, was some excellent continuity and visually very striking. Also liked the way they got to kill Kavil, but not the mystery of the week way that he got hold of Hera again.
There was enough that was not so great. Gotta say as much as I loved her in her prime, dying Laura was plain boring. As was the whole “Earth is beautiful” montage, as was the fact that there was another Earth. And since that’s a big part of this whole shebang, that’s a big hole in my suspension of disbelief.
Interesting choice to have the last focus on Caprica & Gaius, I thought (or at least the backs of their heads), as “Angels” no less. Though, I guess they helped the genocide to happen so seeing them skip off into Manhattan intercut with images of our own poor attempts at toasters closes the loop so to speak.
It was a show that wasn’t sci-fi, wasn’t genre tv, wasn’t drama nor comedy nor dramady and it was pretty frakkin’ good. Thanks for the ride.